Enum ChordQuality
Recognized chord qualities.
public enum ChordQuality : byte
Fields
Unknown = 0Unrecognized or unclassified chord.
When the library answers with this it pairs it with root pitch class 0, because an unrecognized set has no root to report — so a ChordInfo for E-G-B-D-F# reads "C Unknown" and the C is a placeholder, not a detected root. Test Quality against this value; do not read the root beside it.
Major = 1Major triad (root, major third, perfect fifth).
Minor = 2Minor triad (root, minor third, perfect fifth).
Diminished = 3Diminished triad (root, minor third, diminished fifth).
Augmented = 4Augmented triad (root, major third, augmented fifth).
Major7 = 5Major seventh chord (major triad plus a major seventh).
Minor7 = 6Minor seventh chord (minor triad plus a minor seventh).
Dominant7 = 7Dominant seventh chord (major triad plus a minor seventh).
Diminished7 = 8Diminished seventh chord (diminished triad plus a diminished seventh).
HalfDim7 = 9Half-diminished seventh chord (diminished triad plus a minor seventh).
Sus2 = 10Suspended second (root, major second, perfect fifth).
Sus4 = 11Suspended fourth (root, perfect fourth, perfect fifth).
Power = 12Power chord: root and perfect fifth dyad, no third.
Quartal = 13Quartal chord built on stacked perfect fourths.
Add9 = 14Major triad with an added ninth (the second).
Add11 = 15Major triad with an added eleventh (the fourth).
MinorMajor7 = 16Minor-major seventh chord (minor triad plus a major seventh).
Augmented7 = 17Augmented seventh chord (augmented triad plus a minor seventh).
Dominant7Flat5 = 18Dominant seventh chord with a flatted fifth.
Major6 = 19Major sixth chord (major triad plus a major sixth).
C-E-G-A. The same four pitch classes as the minor seventh a minor third below (Am7), so only the bass tells them apart — see Identify(ReadOnlySpan<int>). A bright, fully stable sonority and one of the commonest ways to voice a final tonic.
Minor6 = 20Minor sixth chord (minor triad plus a major sixth).
C-Eb-G-A. The same four pitch classes as the half-diminished seventh a minor third below (Am7b5), so only the bass tells them apart. The tonic of the melodic minor scale, and a resting chord — not the unresolved sonority its half-diminished rotation is.